![]() ![]() ![]() Paul McCartney's film and soundtrack Give My Regards to Broad Street didn't quite make it out of the era the now-prolific David Crosby only released one album, Oh Yes I Can so on and so forth.īut does this hold true for George Harrison, who rejoined the music industry with a blazing smile on Cloud Nine? What about the Kinks, who handled the curves of the arena-rock and punk eras then hit a grand slam with State of Confusion? Or Jethro Tull, whose Crest of a Knave earned them their first GRAMMY (to the chagrin of Metallica fans)?Ĭlearly, there's a larger disconnect at play. Sure, some '60s artists hit creative snags in big ways, and admit as much. So, Dylan has been handed a liferaft from the '80s, a decade thought too often as a sinking ship for him and his contemporaries. Springtime in New York, a five-disc smorgasbord that arrived in September, strips away the sometimes-overbearing production of albums like Empire Burlesque, revealing their core components: Dylan in the midst of a spiritual awakening, backed by killer accompanists like the Dire Straits' Mark Knopfler. This suspicion - or conviction - that true Dylan heads have always had is now Gospel truth. Read More: Here's What Went Down At Bob Dylan's Mysterious "Shadow Kingdom" Livestream Concert
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